It's not a mugshot (i.e. not daily jury duty), but based on the photo, would you say that this girl is guilty? Full-size version can be found at JPG magazine. It was taken by Dave Roth.
Old amusement park attractions are inevitably weird.
Consider the Crazy House once to be found in Felixstowe, UK.
These old postcard images come from the Flickr set of a fellow who uses the handle Photoaf.
The house was part of a Butlin's Amusement Park. For the history of the founder, Billy Butlin, eventually knighted for his recreational achievements, visit here.
Wouldn't you have loved to experience this park during its heyday, some seventy years ago?
Google recently announced it's struck a deal to host the entire photo archive of Life magazine. Millions of photos (including many previously unpublished ones) will be made freely searchable online. If you're the kind of person who likes to browse through archives searching for weird stuff, it's pretty much a goldmine.
Only about 20% of the archive is online so far, but I've already had fun browsing through it. Below are a few photos I found doing a search for bird experiments.
The LIFE captions are pretty dry. I thought they could be improved by coming up with new captions in the style of LOL Birds. I'm sure the WU readers can come up with better captions than I was able to.
LIFE caption: Visual perception experiment on chickens, showing chick wearing a rubber helmet with prisms in the eyepieces, 1953.
My caption: "Mommy told me to wear my safety helmet!"
LIFE caption: A vision experiment being done on pigeons at Maryland University, May 1962
My caption: "I'm watching you!"
LIFE caption: Chicken playing baseball during an animal experiment, October 1948.
Bill Woods was a commercial photographer in Fort Worth, Texas. He worked from 1937 to the early 1970s. Apparently, he was a no-nonsense photographer. He didn't intend to produce weird images, but his subject matter -- middle-class America -- meant that many of his images do have a surreal quality to them, like something out of a David Lynch movie. The New York Times notes: "What is captivating and often funny is the gap between what he evidently meant to do and what he did. It appears that he meant to create reassuring images for his customers, pictures that affirmed their identities, values and world. Today, however, it looks more as if he captured feelings of absurdity, unease, alienation and grief."
His pictures include a bizarre car promotion (Would this have been a tempting deal, even back in 1959? How much Kleenex could a person possibly use?), a man standing outside a store with an open sign (but what does it sell? There don't seem to be any products inside), and the fashionable members of the Lions Club basketball team.
On my recent trip to Oregon, I stopped at the Rogue River Gorge. And there I saw...
THE LIVING STUMP!
I did not snap a picture, but fortunately I could borrow one from El Sylvan's Flickr set.
The Living Stump is the remnant of a tree whose roots became symbiotically intertwined with a neighboring tree. So that when one tree was cut down, the partner tree continued to nourish the stump, which did not decay as any other chopped-down tree might be expected to.
In the rough manner of architecture, he opposes the elasticity between his body and his desires. This gravitation exercice requires Discipline, even if it's not the one we've learned in classrooms.
I'm not sure exactly what that means, but his photos are cool.
Have you ever noticed that some people, when their picture is taken, tilt their head to the side? The behavior is called head canting. I never knew this until I stumbled upon an article titled "Head Canting In Paintings: An Historical Study" in the Journal of Nonverbal Behavior (Spring 2001).
Some factoids about head canting:
Researchers speculate that it's a submissive gesture. Erving Goffman described it as "a form of ingratiation or appeasement achieved by reducing one's overall height."
The authors of the "Head Canting in Paintings" article examined 1498 figures in the works of 11 painters from the 14th to the 20th centuries. They concluded that, throughout history, head canting has been associated with submissiveness:
religious and mythological figures exhibited much more head canting than commissioned portraits. This finding supports the idea that head canting is strongly connected with the expression of submission, appeasement, ingratiation, and request for protection... In contrast, in paintings portraying nobles, professionals, and artists, head canting was minimal or absent.
Head-tilting was a signature cue of method actor James Dean. Dean's head-tilts seemed to say, as East of Eden director, Elia Kazan put it, "Pity me, I'm too sensitive for the world."
4”x5” camera made from Aluminium, Titanium, Brass, Silver, Gem Stones and a 150 year old skull of a 13 year old girl. Light and time enters at the third eye, exposing the film in the middle of the skull.
Category: Photography and Photographers