Auroratone was a "process for translating music into color" invented circa 1940 by Englishman Cecil Stokes. The music vibrated an emulsion of crystallizing chemicals, and this was then photographed by a color movie camera, producing a kind of psychedelic movie of shifting colors synchronized with music (but this was the 1940s, before the concept of psychedelics was known in popular culture).
The hope was that these auroratone films could be used to treat psychiatric patients, and they were experimentally shown to soldiers in an army hospital suffering from psychotic depressions. Conclusion: "Observation revealed that these patients were intensely absorbed in the films, that their span of attention to the films was appreciably lengthened after exposure to the films. Weeping and sobbing was observed in some patients. Many patients became more accessible to individual and group psychotherapy immediately folllowing exposure to these films."
Their effect was also tested on juvenile delinquents. One kid told the experimenter, "I think God must have painted those pictures."
A company was formed to commercialize Auroratones and guide their development. Investors in this company included the Crosby Brothers (Larry and his famous brother Bing). Bing sang the music for many of the auroratones.
Treating psychiatric patients wasn't very profitable, so there was hope to find more lucrative applications of the auroratone process. One idea was to transfer auroratone color patterns onto textiles and ceramics. Some silk scarfs printed with visualizations of Bing Crosby singing "Home on the Range" were apparently manufactured, but never sold.
Not many auroratones still survive, but an example of one can be viewed on YouTube:
Back in 1964, Dr. Erwin O. Strassmann of Houston kicked up a controversy by suggesting there was a correlation in women between bust size and I.Q. And he managed to get his opinion published in a peer-reviewed journal.
Kingsport Times-News - Aug 30, 1964
Curious to see exactly what he said, I tracked down his article. Turns out he was an enthusiastic follower of the now-discredited theory of "constitutional psychology." This was an effort to establish a link between body type and personality traits. Critics have dismissed it as an extended exercise in dressing up cultural stereotypes (such as, if you're overweight, you're lazy) in scientific language. For devotees of weird science, the entire field is a goldmine of strangeness.
Here's the relevant section of Strassmann's 1964 article:
Strassmann, E.O. (1964). "Physique, Temperament, and Intelligence in Infertile Women." International Journal of Fertility. 9:297-314.
Pizza Hut is testing a new "subconscious menu" in some of its UK restaurants. Just look at the food choices on the screen of the tablet, and the eye-tracking technology will determine which food your eyes are lingering over longest. [wash post]
This made me think of Paul's post from a few days ago about the octopus in the farm yard, which demonstrated that our eyes "dwell on objects that are discrepant with expectations." So if there's an octopus on the menu, you'll just have to eat octopus pizza.
Kate Smith was a rat trained to raise a small American flag. It was trained by Kelly Buckwalter of Santa Barbara High School as "an experiment in operant conditioning" for her chemistry and psychology classes.
Upon a moment's reflection, the creepiness of this product becomes apparent, explaining why it never caught on. The notion of one's own voice pleasantly or angrily cajoling the sleeper to awake is straight out of some Philip K. Dick dystopia, in which the hero's brain has been split into two separate personalities. "Wake up, Paul, wake up! Today is the day you must assassinate the ambassador from Rigel Nine!"
On occasion, Japanese citizens who travel to Paris suffer episodes of extreme depression. The depression can be so severe that it leads to hallucinations and psychosis. The Japanese psychiatrist Hiroaki Ota named this condition "Paris Syndrome." He speculated that it's caused by the difference between the idealized view of Paris that the travelers held and the reality that confronted them.
Recently, filmmaker John Menick created a short documentary about this syndrome. He describes it as:
a short, cinematic essay analyzing the cultural implications of travel-related mental illnesses. The project places the syndrome within an ongoing history of cross-cultural relations; the emergence of a global tourist industry; and the creation of psychiatric schools of thought devoted to inter-cultural relations. In addition to the Parisian illness, Paris Syndrome also looks at a number of related issues: Stendhal Syndrome, an ailment experienced by traveling viewers of art (identified in Florence, Italy); the history of psychiatric portraiture; 19th-century mad travelers; and the changes in travel-related mental illnesses throughout history.