The artist is Federico Beltran Masses.
"Hints of drugginess in the eyes, and suggestions of Sapphic eroticism laid on with a trowel, created a sultry visual cocktail that appealed equally to celebrities of the order of Rudolph Valentino, Joan Crawford and King George VI, all of whom had their portraits painted, and the general public."
Full essay here.
New Zealand artist Kirsty Lillico recently won the annual Parkin Drawing Prize, which netted her $20,000. The question her win has raised is, was her piece, titled "State Block," actually a drawing? It consisted of pieces of carpet draped over string.
Lillico said, "Drawing, to me, it's not just about a pencil and paper. I'm using a knife and carpet and hanging it in a space to achieve the same ends."
The prize's patron, Chris Parkin, admits that the piece stretches the definition of a drawing, but he notes it was "still lines, at the end of the day... somebody has taken a knife, and started a line and taken it for a walk."
More info: stuff.co.nz
What is the secret technique behind this drawing?
The answer is here.
And after the jump.
More in extended >>
"Lazy, nihilist capitalist tulip cannot stand up straight and proud like honest, hardworking Soviet tulip!"
André Kertész,"Melancholic Tulip," 1939
In 1632 Rembrandt painted a portrait of Jacob de Gheyn III, an engraver living in Utrecht. The portrait is quite small, measuring approximately 12 by 10 inches. As a result, it's relatively easy to steal and has earned the nickname "The Takeaway Rembrandt" because of the number of times it's been swiped.
The painting has been given the moniker "takeaway Rembrandt" as it has been stolen four times since 1966 – the most recorded of any painting.
Between 14 August 1981 and 3 September 1981 the painting was taken from Dulwich Picture Gallery and retrieved when police arrested four men in a taxi who had the painting with them. A little under two years later a burglar smashed a skylight and descended through it into the art gallery, using a crowbar to remove the painting from the wall. The police arrived within three minutes but were too late to apprehend the thief. The painting was missing for three years, eventually being found on 8 October 1986 in a luggage rack at the train station of a British army garrison in Münster, Germany.
The other two times, the painting was found once underneath a bench in a graveyard in Streatham, and once on the back of a bicycle. Each time the painting has been returned anonymously with more than one person being charged for its disappearance.
St. Cloud Times - Feb 17, 1973
Of course, before the Soviets took a stance against "degenerate" avant-garde art, they had a flourishing avant-garde scene in their own country.
was one such native Russian artist.
Here is his "Venus" from 1912.
This new book on the topic seems very interesting and relevant.
Below are some of the captioned images that artist Hayley Newman
displayed at her first solo show, "Connotations - Performance Images 1994-98".
Lock-jaw Lecture Series (1997/1998)
"Over the period of a year I was invited to give a series of lectures on my work. Before each lecture I visited a local dentist and had my mouth anaesthetised. With my mouth made immobile, I gave my feeblest apologies to the students and staff before attempting to talk on my work."
"Sitting in a bin bag waiting for bin men to pick me up in New York. When the bin men arrived at 4pm, I jumped out of the bag and ran home."
Crying Glasses (An Aid to Melancholia) - (1995)
"Over a year I wore the crying glasses while travelling on public transport in all the cities I visited. The glasses functioned using a pump system which, hidden inside my jacket allowed me to pump water up out of the glasses and produced a trickle of tears down my cheeks. The glasses were conceived as a tool to enable the representation of feelings in public spaces. Over the months of wearing the glasses they became an external mechanism which enabled the manifestation of internal and unidentifiable emotions."
"Soho, London: Dressed as a ghost for Halloween I ran into various pubs in London's Soho, stole a drink and then left."
Here's the punchline, which Newman revealed if you read the fine print in the exhibit guide:
The photographs in the series were staged and performed by myself with most of the images being taken by the photographer Casey Orr over a week in the summer of 1998. The dates, locations, photographers and contexts for the performances cited in the text panels are fictional. In all instances the action had to be performed for the photograph but did not take place within the circumstances or places outlined in the supporting text.
Image sources: Lock-jaw
, Crying Glasses