Sonseed never achieved much fame when they were playing together twenty-five years ago, but now they're attracting quite a following on the internet. Once you've seen them perform "Jesus is a friend of mine" you may understand why. The Dougsploitation blog recently tracked down the lead singer, Sal Polichetti, and interviewed him.
Carlos Santana and Col. Muammar el-Qaddafi are one and the same person!
Check out the identical looks to the right! But if seeing is not believing, further proof is offered in this article from today's New York Times, in which "Qaddafi" rhapsodizes about his favorite babe Condoleezza Rice in unmistakeably lyrical terms:
After all, the Libyan leader had professed his “love” for the American secretary of state. “I support my darling black African woman,” Colonel Qaddafi told the network Al Jazeera last year. “I admire and am very proud of the way she leans back and gives orders to the Arab leaders.”
He continued: “Yes, Leezza, Leezza, Leezza... I love her very much.”
Nick sent us a bunch of youtube links about the art of circuit bending. He writes:
there is a hobby that nobody talks about called circuit bending. It's great fun, I've done it a few times and I've got a few friends that are really into it. Circuit bending is the act of cracking open a musical toy,radio, tape machine, cd player, walkie-talkie etc. and hapazardly/randomly poking around the ciruit board with a couple of wires to get unique sounds out of whatever you're "bending". You then solder the wire at the points you want and voila, you have a brand new musical insrument. Some people get really crazy with it and add new parts like light sensors, switches, buttons etc. and get some really wild effects.
This reminds me of a dream I've had for years. I want to hack into one of those Big Mouth Billy Bass animatronic toys and make it sing "Let the Eagle Soar" by John Ashcroft. It would be the ultimate piece of kitsch. I guess that makes me a would-be circuit bender. But I don't have the skills to make it happen. Also, I doubt my wife would allow me to keep it in the house.
Are musicians placing hidden (often Satanic) reverse lyrics in their music? It's an old controversy, but also one that can offer an interesting psychological demonstration of the power of perceptual expectation. Which means, in plain English, that our brain makes our ears hear what it expects to hear.
But next click the button to reveal the reverse lyrics that you're supposed to be able to hear and listen to the reversed music again. You should now be able to "hear" the reverse lyrics... because your brain is expecting to hear them. The British Psychological Society's blog writes:
Once the expectations for what to hear are in place, they can't be undone. You can't unhear the devilish lyrics once you know about them. This is a powerful demonstration of how our perceptual experiences are based not just on what is served up by our senses, but also on what our brains bring to the table.
My favorite reverse lyric was the one in Pink Floyd's Empty Spaces.
Step back in time now with me to that long-lost year of 1963, possibly the last moment when innocent virginal piety ruled the pop charts. I am referring of course to the Singing Nun, and her hit song "Dominique," heard below in its original form, and its groovy 1982 disco update.
I recently purchased the Sister's first album in a 3-for-a-dollar bin at my favorite used-vinyl store. Opening its gatefold, I found inside a nine-page booklet, telling the charming fable of our tuneful nun's career, illustrated with gaily wistful drawings by one F. Strobel reminiscent of the style of Ludwig Bemelmans. I've scanned the booklet and reproduce it now for your enjoyment, the first page here (each page is two files. picture and text) and the others after the jump.
I venture to say you'll find this vital, albeit seldom-perused document nowhere else on the web. Only WEIRD UNIVERSE brings you such treasures!
Loyal and perceptive reader Rain Oubliette, commenting on the Space Age Fridge Ladies, mentions that they resemble an all-female Devo cover band, possibly named "Shevo." Well, no such weird group exists, to the best of my knowledge. But we do have the incomparable Lez Zepplin.
Too often throughout history men have received the credit for great achievements, even though it was a woman who did most of the creative work. The discovery of the DNA double-helix comes to mind. Another case in point: the Doctor Who theme song.
Ron Grainer is credited as the author of the song, but it turns out that it was Delia Derbyshire, a young sound engineer working in the BBC's Radiophonic Workshop in 1963, who took Grainer's written score and turned it into the song people recognize today. Reportedly when Grainer first heard it, he loved it, but asked, "Did I really write this?" "Most of it," she replied.
Recently a hidden hoard of Derbyshire's recordings were uncovered. It includes a track that sounds like modern experimental dance. A woman ahead of her time!
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Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction books such as Elephants on Acid.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.
Chuck is the purveyor of News of the Weird, the syndicated column which for decades has set the gold-standard for reporting on oddities and the bizarre.
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