Posted By: Paul - Wed Mar 27, 2019 -
Comments (1)
Category: Music, Twentieth Century, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Paul - Wed Dec 26, 2018 -
Comments (0)
Category: Art, Avant Garde, Beauty, Ugliness and Other Aesthetic Issues, Museums, Music, Europe, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Paul - Fri Nov 30, 2018 -
Comments (6)
Category: Annoying Things, Cacophony, Dissonance, White Noise and Other Sonic Assaults, Music, 1960s
Posted By: Paul - Wed Nov 07, 2018 -
Comments (3)
Category: Music, Cacophony, Dissonance, White Noise and Other Sonic Assaults
“Stereopticon treats sense data or phenomena as the root of structured
thought. It is not in the line of experimental films which present
visual and audial phenomena as matter directly perceived. Instead
Stereopticon delineates its own structure by means of a moving interposed
view point and counter viewpoint : by continuous motion it implies or
circumscribes a complete cosmology. The structure is musical and circular,
rather than dramatic and linear, and is constructed of six movements and mood cycles...”
Posted By: Paul - Tue Jul 24, 2018 -
Comments (9)
Category: Movies, Pop Art, Surrealism, 1960s, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Alex - Mon Jul 23, 2018 -
Comments (4)
Category: Military, 1960s, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Paul - Tue May 01, 2018 -
Comments (1)
Category: Animals, Music, 1960s, North America, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Vander invented a constructed language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The language has of course a content, but not word by word."[1] Vander himself has said that, "When I wrote, the sounds [of Kobaïan] came naturally with it—I didn’t intellectualise the process by saying 'Ok, now I’m going to write some words in a particular language', it was really sounds that were coming at the same time as the music."[2] Later albums tell different stories set in more ancient times; however, the Kobaïan language remains an integral part of the music.
Posted By: Paul - Tue Feb 27, 2018 -
Comments (1)
Category: Languages, Music, 1970s, Europe, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Paul - Sat Feb 24, 2018 -
Comments (0)
Category: Movies, Television, 1950s, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Paul - Fri Feb 09, 2018 -
Comments (1)
Category: Ineptness, Crudity, Talentlessness, Kitsch, and Bad Art, Music, 1960s, North America, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Who We Are |
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Alex Boese Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction, science-themed books such as Elephants on Acid and Psychedelic Apes. Paul Di Filippo Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1. Contact Us |