Nowadays, Hollywood actors and actresses indulge in as much bad behavior as they ever did, if not more, frequently involving intoxicants of various stripes. But here's a difference from the Golden Age. As drunk or stoned as they get offscreen, they seldom seem to report for work in that condition, and if they do, the resulting footage is never seen by the public. Professionalism on the set is the rule, and the infrequency of live broadcasts adds to the censorship.
And then we had the case of Lon Chaney Jr., a fine actor with an alcoholism problem.
When he acted the part of Frankenstein's monster on TV in 1952, he was totally plastered--so much so that he thought the live broadcast was a rehearsal! That's why, when he picks up furniture to smash, he instead gently sets it down, thinking he has to preserve it for the real performance!
Watch the three parts of this show now, if you wish. The first is below, and the other two after the jump.
Synchronicity in the creative arts is pretty weird. The independent invention of very similar things. Charles Fort, one of the masters of all things weird, even had a term for it: "steam engine time." Fort's notion was that when an era was ripe, it called forth certain creations multiple times, without coordination among mere humans.
I was reminded of this recently in a small way while watching the 1942 film TO BE OR NOT TO BE. In this film, Robert Stack plays a dashing Polish aviator named Lieut. Stanislav Sobinski.
What other fictional dashing Polish aviator premiered right at this time? None other than Blackhawk, who debuted in August of 1941.
Could it be a simple case of the Blackhawk comic influencing the scripter of To Be or Not to Be? Unlikely, given the short span between the debut of Blackhawk and the release of the Robert Stack film, which had to be in production for some time prior.
It's more likely that the plight of Poland under Hitler's invasion called forth the notion of a national hero. But why aviator? Just the romance of aerial combat, I suppose.
Here're pictures of Blackhawk and Stack in his role (leftmost figure, below) to compare. Stack is out of uniform in this shot, but when he's wearing his flying outfit, the resemblance to Blackhawk is uncanny.
The history of the cinema is littered with kooks, talented and untalented. One such was Nick Millard. I will leave it to the reader to decide which category Millard falls in. But let me tell you in advance that his serial killer is an obese woman named Fat Ethel.
Read a very entertaining synopsis of some of Millard's oevure, by one Joseph A. Ziemba, at his Bleeding Skull blog.
Then experience the majesty of Millard's cinematic style below.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.