Posted By: Paul - Sun Sep 19, 2021 -
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Category: Crime, Death, 1920s, Russia
Posted By: Paul - Thu Sep 02, 2021 -
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Category: Propaganda, Thought Control and Brainwashing, Children, Books, Fantasy, 1940s, Russia
Posted By: Paul - Thu May 27, 2021 -
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Category: Art, Avant Garde, 1920s, Russia
Posted By: Paul - Mon Jan 04, 2021 -
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Category: Art, Avant Garde, Europe, Russia, Twentieth Century
Posted By: Paul - Sun Oct 18, 2020 -
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Category: Art, Avant Garde, 1920s, Russia
Posted By: Paul - Wed Oct 14, 2020 -
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Category: Excess, Overkill, Hyperbole and Too Much Is Not Enough, Russia, Dolls and Stuffed Animals
Posted By: Paul - Tue Oct 06, 2020 -
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Category: Awards, Prizes, Competitions and Contests, Beauty, Ugliness and Other Aesthetic Issues, Ethnic Groupings, Nature, Natural Resources, Russia
In "Prision," of which there is a preparatory drawing, the painter depicts a world of multiple orientations through diverse interconnected viewpoints, and shows various heads with their musculature visible as if to reveal to us their interminable growth process. Glebova devoutly believed Filonov’s theories on the “universal flowering” and, like him, held that painting should reflect a growth process of the world similar to that of plants, according to which it was permanently active as an independent being.
Posted By: Paul - Thu Aug 27, 2020 -
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Category: Art, Avant Garde, Body Modifications, 1920s, Russia
"King Solomon" was the last sculpture that Alexander Archipenko made and the only one that he conceived as a monumental sculpture. Throughout his career, Archipenko experimented with positive and negative space in his sculptures, often using voids or holes to suggest form. In King Solomon, he placed abstract shapes together to create the vague shape of a figure. The tall prongs at the top evoke a crown, and the intersecting triangles suggest an imposing archaic costume. Archipenko captured a dramatic sense of scale, and it is easy to imagine how formidable this figure would be if enlarged to the sixty-foot-tall version that the artist envisioned.
Posted By: Paul - Wed Dec 11, 2019 -
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Category: Art, Avant Garde, Body, Criticism and Reviews, Russia, Twentieth Century
Posted By: Paul - Fri Oct 04, 2019 -
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Category: Art, Avant Garde, Surrealism, 1930s, Russia
Who We Are |
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Alex Boese Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction, science-themed books such as Elephants on Acid and Psychedelic Apes. Paul Di Filippo Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1. Contact Us |