“Follow a stranger” is one of the instructions I’ve been given by Serbian artist Miloš Tomić in what is billed as an alternative tour of the city, and I really enjoy it, while also feeling as if I’m doing something a little bit wrong...
My assignment from Tomić is, of course, not intended to upset anyone. Rather, what I’m doing is a one-off exercise, and, as artist and writer Phil Smith puts it, is handing over control of exploring the city to someone else, chosen at random.
Smith regularly gives this task to students of theatre and performance at the University of Plymouth, seeing it as a valuable exercise. “The idea is that you’re exploring the space but someone else dictates it to you – it neutralises your will,” he says. “The intention – or hope – is that the followed person will lead you into places you haven’t been before.”