A facelift device adapted to be worn on the head in a manner that it may be covered by a wig, the facelift device including an anchor portion adapted to be engaged by the ends of a multiplicity of tension members, the other ends of which are selectively secured to the wearer's skin closely adjacent the hairline and in a position to tension the skin to eliminate lines and wrinkles therefrom.

Since opportunity has not yet been afforded for scientific examination of a wrinkled lady wearing this face-lifting top-knot, judgement of its efficacy can only be theoretical. But there does seem the psychological danger that its wearers would suffer under the delusion that they were being continually assailed by scalp-hunting Sioux Indians.

And according to researchers in the General Motors laboratories examining the reactions of the human body in accident situations, some expertise may be vital in judging the degree of tension applied to the temple-grippers. The GM people reported that the scalp, notably tough and elastic, can stand forces up to 610 lb per square inch before tissue damage sets in. Facial covering is less resistant and that over the cheekbones shows wear and tear at a load of 208 lb. So tensing the scalp-hackles to anything much over a third of their overhead capacity might well result in the beauty-seeker finding herself instead with her nose coming away at the seams and her ears getting a divorce from her cranium.

And even if all tensilities were precisely adjusted, one cannot banish the feeling that the taut-faced beauty, though smoother-cheeked than any baby's bottom, would have her brows so steeply arched and her eyes so shockingly widened that she would spend her day bearing a look of permanent surprise and with the mien of one who is being externally goosed.

The Minologi Hizaawana Foam Clear Pack will form a bubbly layer over your knees and elbows and work its magic for 10-15 minutes. After that you just peel it off and discover what the real color of your skin was underneath those pesky dirt particles. You'll never feel cleaner!

Oppenheim describes the piece as a corporeal enactment of painting, going on to state "I could feel the act of becoming red."