So far as I can tell, this famed bit of performance art is an exact depiction of what most of the WU commenters are always seeking to arrange amongst themselves.
Fans of famed comics artist Jules Feiffer will surely recall his good-hearted but light-headed character who spontaneously broke into dance to celebrate or bewail any proposition or concept, however absurd. You can see an example of Feiffer's creation to the far right.
Well, it appears that Feiffer did not create such a character, but merely drew from life. Or perhaps the gal whom you see in mid-air, next to the Feiffer panel, was inspired by Feiffer.
For in this BOSTON GLOBE obituary we learn how "Gabrielle Orcha of Cambridge, a choreographer and playwright," intends to mark her grandmother's passing.
"As a tribute to her grandmother, Orcha has choreographed a dance, commissioned by the Citi Performing Arts Center, that she will perform at the Shubert Theatre in May."
In the video below magician Keith Barry gives a performance at the annual TED conference in Monterey. Speakers at the TED conference are usually leaders in their field, so I don't know how Barry got chosen. I would have thought someone like Ricky Jay would have been a much better choice if they wanted a top-quality magician. Barry tries to spin his tricks as "brain magic." Actually, they're just standard, run-of-the-mill tricks. Still, it's always fun to guess how a magician does his tricks. My hypotheses are below. (I cheated by reading the comment thread at the TED talk site, where many people already left their guesses.)
Note: if the embedded video isn't showing for you, you can see the video at the TED site.
The turning hand trick: At one point during the trick Barry releases his hands to point at someone in the audience. He rotates his arms before bringing his hands back together. Conveniently, the camera cuts away while he's doing this.
Driving a car blindfolded: I'm not sure. Possibly he memorized the route, or he's getting instructions from someone viewing through the camera behind him.
The voodoo experiment: He actually does touch the woman on her back early in the process of waving his hands around her, so it's no mystery when she says she's been touched there. He also moves his hands very close to her arm, so she probably did feel a tickling sensation there.
Synchronicity experiment: In some of the shots you can actually see Barry stepping on the guy's foot in order to indicate to the guy when he should raise or lower his arm. Very amateurish.
Shattered Coke bottle: There are commercially available "trick" bottles that will produce this effect. They're called Bologna Bottles. So it's physics, not magic.
Cup and Stick illusion: I don't know how the trick works, but you can buy this illusion off-the-shelf at many magic stores. And even though Barry claims that the audience member chose all the cups he was going to crush, that's not true. Barry chose the first cup. He only asked the audience member to confirm if his hand was over a cup.
According to the Raffaele De Ritis blog, the performer in this video is Elvis Mokko from Mozambique: "He was a regular feature of european night-clubs in the 70s, then turning to theme park and events in Germany." This video shows a performance in Cirque d'Hiver, Paris, during the late 70s.
The question I have is how he ever dreamed up this performance in the first place. What inspires a person to find out if they can lift a chair in their mouth?
I recently met a woman who could tie a knot in the stem of a maraschino cherry with her tongue. I thought that was pretty impressive. But what this Romanian chewing gum sculptor can do is even more impressive.
Is there a better "mainstream" weird band than the Flaming Lips? Possibly not. And surely their long-awaited feature film Christmas on Mars will be excessively weird as well.
Here's the trailer. Despite the allusion therein to a 2003 release, the delayed film has not yet appeared, although it will have a showing this Halloween in Cambridge, Massachusetts.
I started thinking about contortionists again when I happened upon a feature on them in an old issue of Life. In my novel Spondulix I had a character who was an "enter-ologist," a great term I found in Ricky Jay's wonderful history of sideshows and freaks, Learned Pigs and Fireproof Women. Enter-ologists get into impossible places, rather than escape from impossible places.
In any case, a short search of the web turned up lots of online contortionist info, including the Contortion Home Page, which is where I found this pic of April Tatro. That's her in the video below as well.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.