My pal Paul Tumey just released his magnum opus, a history of "screwball" comics. I'm reading my copy now, and it's great.
If you go to the link,
you get a PDF copy of one of his newsletters to sample what he's all about.
Order yours today!
This book, first published in 1990, must be in demand by collectors. The cheapest used copy on Amazon is $50
, while to get a new copy you've got to fork over $318.25.
The reviews are worth checking out.
There was a sequel, published in 2010, titled (boringly) Latawnya The Naughty Horse Two
A cookbook for the blind, written by Ralph Read, and published in 1981.
A sample of some of his tips and techniques, from a review in the Austin American-Statesman
(Sep 22, 1980):
Many of his suggestions are common sense. For instance, for liquid measurements, he uses the dipstick method — having an index finger in the right place at the right time. He uses a teaspoon to spread instead of a knife, allowing himself “one finger to check corners.” And he initials canned foods with raised letters from a plastic tape marker and arranges them alphabetically.
You can read the entire book at archive.org
You don’t need to alphabetize bags of things, he says, because you can just pinch them. Split peas do not feel like elbow macaroni.
Tactile memory is very important, for things like knowing which end of a milk carton has the spout. Spices don’t need labeling because you can smell them. Smell and hearing are important factors in cooking without sight. They tell you when things are almost done.
He generally cooks slowly to help “prevent things from getting away from me.” Read has no special gadgets for cooking, though he says friends have shown him catalogs with specialty items for the blind. “Ninety-nine percent of that gadgetry is useless — though I’m interested in the fact that Amana has a blind consultant working with them in Dallas to help develop a microwave oven for the blind.”
There are some definite “don’ts,” Read says, such as not using dangerous items such as an electric beater or broiler. You can get the same desired results without unnecessary risk by using a hand beater or pan-broiling a steak.
Just out is the second volume chronicling the improbable career of one of the chief Weirdo artists of all time, Basil Wolverton. Required reading for all WU-vies--and a great gift idea!
I haven’t read the book yet, but the topic sounds like it would be of interest to WUvies. It's described as the first comprehensive study of the phenomenon of performers who died onstage:
From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."
The website for the book
includes some examples of recent deaths while performing.
Please excuse the self-promotion, though hopefully the subject matter may be of interest to WUvies. For the past two years I've been busy researching and writing another book, and it finally went on sale last week, published by Macmillan
. I give you Psychedelic Apes: From parallel universes to atomic dinosaurs – the weirdest theories of science and history
The book is an exploration of some of the craziest ideas that lurk at the fringes of both science and history. While I don't endorse these ideas, I didn't exactly set out to debunk them either. After all, I have a very high tolerance for, and fascination with, weirdness. Mostly I wanted to understand what the case was for each of them, and why some seemingly intelligent, knowledgeable researchers (quite a few of them leaders in their fields) not only convinced themselves that these ideas could be true, but in many cases passionately defended them — sometimes at great cost to their careers and reputations.
I also wanted to keep an open mind because the history of science is, to a great degree, a history of ideas that were initially dismissed by scholars as being totally nuts (such as heliocentrism, evolution, continental drift, etc.) eventually being accepted as true. But yes, I do explain why the majority of scholars reject the hypotheses I examine in the book.
The chapter list:
- What if the Big Bang never happened?
- What if our universe is actually a computer simulation?
- What if there’s only one electron in the universe?
- What if we’re living inside a black hole?
- What if we live forever?
- What if the Earth is at the centre of the universe?
- What if planets can explode?
- What if our solar system has two suns?
- What if ten million comets hit the Earth every year?
- What if the Earth is expanding?
- What if everything is conscious?
- What if diseases come from space?
- What if the Earth contains an inexhaustible supply of oil and gas?
- What if alien life exists on Earth?
- What if we’ve already found extraterrestrial life?
- What if the dinosaurs died in a nuclear war?
- What if our ancestors were aquatic apes?
- What if we’re descended from a pig–chimp hybrid?
- What if hallucinogenic drugs made us human?
- What if humanity is getting dumber?
- What if ancient humans were directed by hallucinations?
- What if Homer was a woman?
- What if Jesus was a mushroom?
- What if Jesus was Julius Caesar?
- What if the Early Middle Ages never happened?
The topics progress from cosmological questions about the origin and nature of the universe, up through the origin of life and our species, and ends with the dawn of the modern era. So in addition to being a catalog of "against-the-mainstream" ideas, the book offers a kind of alternative history of the cosmos. In the following weeks, I'll post fuller descriptions of some of these topics.
Unfortunately, the book is currently only on sale in the UK and (I believe) Australia. For whatever reason, the Brits have been much more receptive to my books than Americans have been. I have no idea if, or when, an American edition will be coming out. But an audio edition should be available soon. Some places it can be purchased online:
If you're a blogger interested in obtaining a review copy, drop me a line. I may be able to arrange that. Though I can't make any promises.
It's one of the more perplexing questions in Christian theology. A recent article in The Daily Beast
explains why, over the centuries, the issue has kept rearing its head:
Much of early Christian theological debate is taken up with the issue of how Jesus is both a god and a human being. Early on there were some early Christians who thought that Jesus only “seemed” to have a human body but in reality was a god. You can see why Christians who held this position thought Jesus never went to the bathroom. This position, which is known as Doceticism, would come to be rejected as heresy, but those who wanted to argue that Jesus was truly human have to explain how the combination of humanity and divinity works. While they are doing that they are also trying to avoid the idea that the divinity in Jesus is somehow defiled by or corrupted by all the disgusting aspects of human bodies. Excrement, in particular, was just the kind of disgusting thing that people wanted to avoid.
There's also a book, published in 2018, with that title (amazon link
). I have no idea of its quality (never having read it), but sometimes a title alone can be worth the price of purchase. For instance, the book sounds perfect to include among the reading material in a guest bathroom.
In 1981, Jove Publishing debuted a “No Frills” series of books. This consisted of four books, each of which was supposed to represent a generic version of a genre (science fiction, western, mystery, and romance). Each book featured a generic cover, styled after the generic packaging for foods.
And to complete their genericness, the names of the authors weren't revealed. But the Internet, of course, has subsequently tracked down who they were. As posted on Bill Crider's blog:
Terry Bisson, who was one of the instigators of this project, reports:
Mystery was written by Clark Dimond, a men's mag editor/writer who also wrote for comics.
The Romance was written by Judy Coyne (former Glamour mag editor) nee Wederholt
The SF was written by John Silbersack, SF editor and now an agent.
The Western was by Vic Milan (SF author)
We were working on a No-Frills Besteller (by me) and A No-Frills movie (by film critic David Ansen) when the series was dropped.
My partner selling the series was Lou Rosetto who went on to found WIRED magazine.
So what were the plots of these 'generic' novels? Here are some summaries I was able to find online:
"A space cadet is called to the commander's office at the moon academy. His father is the lone known survivor of the Pluto colony, and asks for his son to join him in the search for what happened. They assemble a crew and blast off to Pluto, where they stumble upon few clues but several surprises."
"It begins when Kid Smith arrives in town and almost immediately finds himself in a bar room brawl. He’s soon menaced by the town’s two factions. Those wearing black hats are led by a corrupt judge and those wearing white hats are led ….by a corrupt mayor. Both want their hands on the widow West’s land but Smith has taken a shine to her and vows to protect her and her property from the two no-good skunks and their henchmen."
(via NY Times
'''Romance' is complete with everything the cover claims - a kiss, a promise, a misunderstanding, another kiss, a happy ending -plus an alarming trial marriage condoned, nay, arranged by the Mother Superior of a Virginia hunt-country convent."
(via Bill Crider
"The story itself is pure pulp, with corpses piling up at an amazing rate. The unnamed first-person private-eye narrator is given a mysterious cassette tape. Someone's killing to get it because although to the p. i. it sounds like a song, it has the power to cloud most men's minds. Most women's, too. Whoever has the tape can control the world."
Back in 1881, Dr. Thomas Dwight of Harvard Medical School authored Frozen Sections of a Child
, which sounds like the kind of book one might find in the library of a serial killer. As the title indicated, the book consisted of anatomical illustrations of frozen cross-sections of a three-year-old child.
In the preface, Dwight helpfully included advice for those readers who might want to create their own frozen sections of a child:
My experience with frozen sections enables me to offer the following directions for making them. First, be very sure that the body, or part, to be frozen is in precisely the position you desire, and that there are no folds or indentations in the skin. I always use natural cold when possible. Weather much about zero (Fahrenheit) is unsatisfactory; but if the part is thoroughly chilled by several days' exposure to a pretty low temperature, a night of 10° may possibly finish it. Salt and ice, or snow, no doubt, will answer the purpose, but much time and patience are required. It is essential that the melted ice should have a chance to run off. The body should be frozen like a rock—so much so that the operator cannot tell whether he is cutting bone or muscle. Tooth is the only tissue he should be able to recognize. The sections should be made in a cold room, with a very sharp saw that has been chilled. When a section is cut, its surface is obscured by a thick half-frozen saw-dust, which is doubly thick if the freezing is not quite sufficient. It is wisest, if time allows, to remove this at once, which is done by pouring a little hot water over the section and brushing or scraping it off rapidly and carefully. This is a very delicate part of the process, and its successful performance has much to do with the beauty of the specimen. If it is to be kept, it should be laid on a piece of glass or wood, and placed at once, while still frozen, in cold alcohol.
More details: Harvard's Countway Library
. You can also read the full book online via Google Books
William A. Gold of Australia had the dubious distinction of being named the least successful writer ever in the 1975 edition of the Guinness Book of Records. To my knowledge, Guinness never awarded this record to anyone else.
Gold gained the title because, as of 1975, he had written at least eight novels and 100 short stories, but none of them had been published, despite his best efforts. His writing had only ever earned him 50 cents from an article published in the Canberra News
I've only been able to find the titles of two of Gold's book. One of them was John Lewis Seeks a Mission
, which he submitted to the Adelaide Advertiser $2000 Literary Competition in 1966. (Obviously, he didn't win.) The other was One Best Seller: A Satire on the Publishing Game
. The Sydney Morning Herald described this as dealing with "the adventures of author Eric Bellamy, literary agent Lawrence Templeton, and the latter’s attempts to get Bellamy’s novel, Sibelius on Sunday, published." Gold eventually self-published this novel in 1984. (and it's available for purchase from some used book stores in Australia.)
Gold died in 2001, and his collected papers are now stored at the National Library of Australia
"23-7-87. Mr. Bill Gold, the world's greatest unpublished author, with his own published book, "One Best Seller." No one wants the book." (Getty Images)
"23-7-87. I'm broke, give me ten dollars for two books. This was Mr. Bill Gold as he makes dinner in his small flat in Queanbeyan. He is the world's greatest unpublished author." (Getty Images)
The Montreal Gazette - Feb 9, 1979