The book details what the man is required to accomplish and what the better half is to do.
While most of the tasks the man is required to accomplish require only the knowledge of how to use a rolling pin or knife, I will warn you now that a couple of the recipes require the man to cook the meat — steak, pork chops.
One recipe, heaven forbid, asks the better half to only lay the table and then relax—while the man is required to open a couple of cans and then slave over a hot stove while "she" sips the fruit of the vine and relaxes.

It is really amazing what the change of a word may do. The mere insertion of a word often works wonders with a book. Take the account of that European mystery of intrigue and political romance, which Theodore M. R. von Keler did for me under the title of The Mystery of the Iron Mask. This title was fair. It certainly tells what the book is about. But there is something aloof about it. It may, says the reader to himself, be another one of those poetic titles. It may fool me, he thinks, and so he bewares. But I changed it to The Mystery of the Man in the Iron Mask, and now there can be no question, for the record is 30,000 against 11,000 copies per year. Two other "slight" additions come to mind. Victor Hugo's drama, The King Enjoys Himself (Rigoletto; translated by Maurice Samuel), and Zorilla's, the Spanish Shakespeare's, None Beneath the King (translated by Isaac Goldberg) were both rather sick—8,000 for the first and only 6,000 for the second. In 1927, lo and behold, the miraculous cure of title-changing brought 34,000 sales for None Beneath the King Shall Enjoy This Woman, and 38,000 for The Lustful King Enjoys Himself! Snatched from the grave! Then there was Whistler's lecture, fairly well known under the title Ten o'Clock. But readers of Little Blue Books are numbered by at least ten thousand for each title yearly. Due to the concentrated interest shown in self-education and self-improvement this helpful lecture on art should be read widely—following this reasoning, the proper explanatory title evolved into What Art Should Mean to You. Readers are more interested in finding out what art should mean to them than in discovering what secret meaning may lie behind such a phrase as "ten o'clock." In 1925 the old title sold less than 2,000; in 1927, the sales, stimulated by The Hospital's service mounted to 9,000.

The primary inquiry of the research was put in a leading way. Respondents were not asked 'Do you think graves should or should not be reused?'. Instead they were asked what period of time should elapse before a grave could be used for new burials by a different family. Despite the form of the question 35 per cent of respondents said they never should be reused. As against this 62 per cent were willing to countenance the reuse of graves after varying periods (3 per cent were undecided). The periods given ranged from one year to two hundred, the most popular being 100, 50, 20, 30, 75, 150, and 10 in that order.

about 2,500,000 of the books were acquired during the construction of the M6 Toll. The novels were pulped at a recycling firm in south Wales and used in the preparation of the top layer of the West Midlands motorway, according to building materials suppliers Tarmac. The pulp which helps hold the Tarmac and asphalt in place also acts as a sound absorber and is vital in the construction of roads.

Richard Beal, the company's project manager for the M6 Toll, said the books' absorbent qualities made them a vital ingredient in the construction of the country's first pay-as-you-go motorway.... for every mile of motorway approximately 45,000 books were needed.