Harry (the Hipster) Gibson blends jive & barrelhouse as he pounds out his boogie woogie like Jerry Lee Lewis pounding out rock n roll. A hipster poet precursor to the Beats & even the hippies, his daring lyrics occasionally got him into trouble. "Who Put The Benzedrine In Mrs. Murphy's Ovaltine?" is an updating of an old Irish folk song "Who Put The Overalls In Mrs. Murphy's Chowder?" that ended up getting Harry "The Hipster" Gibson blacklisted from radio play, and put his career on a downward slope it wouldn't recover from until the seventies.

Harris Rubin, a university psychologist, has proposed a $121,000, two-year, federally financed investigation. He plans to pay adult male volunteers $20 a session to smoke Government-supplied marijuana and watch erotic films while an electronic device attached to their genitals monitors physical reactions. Rubin hopes to learn whether the drug enhances or inhibits sexual activity.

Both the subject and the methodology of Rubin's study were catnip to the media. Rubin and his colleagues planned to encircle the penis of each volunteer with a strain gauge transducer and then show him erotic pictures; any resultant engorgement of the member would be accurately measured and recorded. By conducting the experiment with two groups, one given either alcohol or marijuana and the other nothing, Rubin would be able to determine whether either drug increased or decreased sexual arousal, and to what extent.

On July 18, the Bloomington, Illinois, Daily Pantagraph, which had somehow become aware of the study, ran an article about it, and from then on Rubin's project was in trouble. Newspapers in Illinois, St. Louis, Washington, Chicago, and many other cities ran stories about what quickly became known as the "sex-pot study" or "pot-sex study," a topic so interesting that they ran follow-up stories about it for many months. Displaying suitable outrage, the Christian Citizens Lobby, Illinois governor Daniel Walker, a federal prosecutor, and various Illinois state officials all denounced the study, calling it "disgusing," "pornography," "obscene," and "garbage," and threatening to take action against Rubin.

This was mere growling and snapping, but Congress had the teeth wherewith to bite. Senators William Proxmire and Thomas Eagleton, Democrats but sexual conservatives, attacked it, as did Representative Robert Michel, the ranking Republican member of the House Appropriations subcommittee. Although the secretary of HEW and the president's National Advisory Council on Drug Abuse defended and supported the project, Michel sought to prevent NIDA from funding the Rubin study by tucking an amendment to that effect in the $12.7 billion-dollar 1976 Supplemental Appropriations Bill for HEW, and Senators Proxmire and Warren Magnuson inserted a similar provision into the Senate's version of the bill. The funding of HEW was so crucial to the national well-being that both houses passed the bill with the anti-Rubin provision intact. President Ford signed it into law on May 31, 1976, keeping the vast Social Security system, NIH, and other essential endeavors going—and cutting off Rubin's minuscule funding and putting an end to his research. Rubin had already gathered the alcohol data and he eventually published his results, but the marijuana study died a-borning.

Somers' patients take the powder by sniffing it through a straw or chewing it on a piece of cotton. They take about four doses of 100 milligrams each day, but the frequency is later reduced.

The California licensing board told The Oklahoman... that Somers was placed on probation in 1980 for addiction to demerol and cocaine; that he later was paroled but was placed on probation again in 1984 for 10 years for violating terms of that probation. A complaint signed by the California agency chairman states that Somers was examined by psychiatrists and found to be suffering from a psychosis; that he treated patients with a mixture of cocaine and hydrochloride and that he "manifested a sincere belief in the value of his treatments with cocaine."

While obscure, Pythagoron’s sole LP – a distillation of fine art, drug culture, high New Age thinking, and musical Minimalism, is a near perfect image of the outer reaches of its era. Privately issued in 1977 – sold via advertisements in High Times, the album’s origins are mysterious – thought to be a product of USCO (The Company Of Us), one of the earliest multimedia art collectives based in New York – pioneers in the field of immersive sound and light environments...

The album is intended to get the listener high – the aural mirror to Brion Gysin’s Dream Machines, and the step beyond La Monte Young. Capitalizing on the the tonal precision allowed by synthesizers – it attempts to harness the resonant interaction of sound and brainwave patterns to induce states of euphoria – the precursor of more recent efforts in binaural beats and neural oscillation.