This invention relates to a casket, and more particularly to a casket having support means therein for supporting the body against shifting longitudinally of the casket.
In the past, caskets and vaults have been buried in a substantially horizontal position. Burial space, especially in urban areas, is becoming more scarce. A solution to such a problem may be found in burying caskets in a substantially vertical position. With such burial techniques, the amount of space required for each burial is substantially reduced.
While previously known caskets could be buried vertically, rather than horizontally, it should be realized that their use might be found distasteful by those who have been close to the party to be buried. An objection to the use of prior caskets may be found in the fact that in prior caskets generally there is nothing to support the body against shifting toward the foot end of the casket when buried in an upright position. Thus, if a conventional casket is tipped upright the body would slump to the foot end of the casket.
As a young boy of five living in Tokyo, Haruo Shimada was hailed as an artistic prodigy. Articles about him appeared in American papers as well as in Life magazine. It was noted that his preferred subject was 'impressionistic nudes'.
Shimada explains that he gave up painting while still young, after his instructor, Kenzo Akada, moved to the United States. In college he studied economics, and eventually he became a professor of economics at Keio University and MIT. But late in life, at around the age of 60, he decided to take up painting again and ended up having an exhibition of his work at Chanel's flagship store in the Ginza district of Tokyo.
The officers of the American Tentative Society insisted that, despite the odd name, the society wasn't a joke. Its purpose, they explained, was to promote the idea that scientific knowledge should always be regarded as tentative — subject to growth, revision, and change.
The three founders of the society were science journalists Alton Blakeslee, Rennie Taylor, and Pat McGrady. They came up with the concept in the mid-1960s, but it remained nothing more than a crazy idea until 1974, when Taylor died. In his will he bequeathed $300,000 to making the society a reality. This left the other two stuck with the problem of how to spend the money. So they solicited ideas from the public.
Richard Nixon's favorite snack was reportedly cottage cheese topped with ketchup.
A 1960 article in the LA Times treated this as noncontroversial personal information about the then-presidential candidate, noting that he had acquired a taste for this unusual delicacy from his Quaker grandmother.
Los Angeles Times - Mar 14, 1960
However, by the 1970s Nixon's team was downplaying his fondness for this snack. Helen Smith, the first lady's press secretary, dismissed it as overblown rumor.
I suspect the truth is that Nixon enjoyed this snack when he was younger, but didn't continue eating it when he was President. Regardless, the combination of cottage cheese and ketchup was definitely associated with Nixon in the public mind, and it inspired one odd work of art.
In 1973, on the eve of Nixon's second inauguration, the sculptor Carl Andre dumped 500 pounds of cottage cheese on the floor of the Max Protetch gallery in Washington, DC. He then topped this with 10 gallons of ketchup. He called the work 'American Decay'. However, it smelled so bad that it all had to be removed the next day.
Harry (the Hipster) Gibson blends jive & barrelhouse as he pounds out his boogie woogie like Jerry Lee Lewis pounding out rock n roll. A hipster poet precursor to the Beats & even the hippies, his daring lyrics occasionally got him into trouble. "Who Put The Benzedrine In Mrs. Murphy's Ovaltine?" is an updating of an old Irish folk song "Who Put The Overalls In Mrs. Murphy's Chowder?" that ended up getting Harry "The Hipster" Gibson blacklisted from radio play, and put his career on a downward slope it wouldn't recover from until the seventies.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.
Our banner was drawn by the legendary underground cartoonist Rick Altergott.