The relentless march of progress continues. Now monks have been automated, thanks to The Bible Scribe.
The installation 'bios [bible]' consists of an industrial robot, which writes down the bible on rolls of paper. The machine draws the calligraphic lines with high precision. Like a monk in the scriptorium it creates step by step the text. Starting with the old testament and the books of Moses bios [bible]’ produces within seven month continuously the whole book. All 66 books of the bible are written on rolls and then retained and presented in the library of the installation.
Brazilian artist Alexandre Jorge has created a series of creepy imaginary animals. They're all made out of papier mache. I figure it's only a matter of time before the pictures start popping up in people's email with the claim that they're real animals found in the Brazilian rainforest (or something like that):
At the fascinating blog of my pal, Rudy Rucker, I recently found the archaically NSFW image hidden beyond the jump. Rudy utilized a picture taken by a friend of his, while I've found my image at a site claiming the sculpture in question is housed at the Secret Museum of Naples.
In either case, I thought this was just the kind of bizarre thing WU readers might care to ponder.
Synchronicity in the creative arts is pretty weird. The independent invention of very similar things. Charles Fort, one of the masters of all things weird, even had a term for it: "steam engine time." Fort's notion was that when an era was ripe, it called forth certain creations multiple times, without coordination among mere humans.
I was reminded of this recently in a small way while watching the 1942 film TO BE OR NOT TO BE. In this film, Robert Stack plays a dashing Polish aviator named Lieut. Stanislav Sobinski.
What other fictional dashing Polish aviator premiered right at this time? None other than Blackhawk, who debuted in August of 1941.
Could it be a simple case of the Blackhawk comic influencing the scripter of To Be or Not to Be? Unlikely, given the short span between the debut of Blackhawk and the release of the Robert Stack film, which had to be in production for some time prior.
It's more likely that the plight of Poland under Hitler's invasion called forth the notion of a national hero. But why aviator? Just the romance of aerial combat, I suppose.
Here're pictures of Blackhawk and Stack in his role (leftmost figure, below) to compare. Stack is out of uniform in this shot, but when he's wearing his flying outfit, the resemblance to Blackhawk is uncanny.
The history of the cinema is littered with kooks, talented and untalented. One such was Nick Millard. I will leave it to the reader to decide which category Millard falls in. But let me tell you in advance that his serial killer is an obese woman named Fat Ethel.
Read a very entertaining synopsis of some of Millard's oevure, by one Joseph A. Ziemba, at his Bleeding Skull blog.
Then experience the majesty of Millard's cinematic style below.
Books Selected and endorsed for Pure Weirdness by Your WU Team
Who We Are
Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction books such as Elephants on Acid.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.
Our banner was drawn by the legendary underground cartoonist Rick Altergott.